By
Michelle Moran
Before I start this
review, I want to congratulate Michelle on the greatest and most beautiful
creation she has ever shared with the world.
Her name is Collete and she was born February of 2015. What a joy it was to see her and her mom,
both glowing with life, just as I had finished the final pages of Michelle’s
spellbinding story of her other love, India.
I wish you and your family much happiness in the years to come. May the warmth of the sun and the kind love
that you have found in your adopted country bring you peace and contentment as
you watch your daughter grow in health and beauty.
Karen
Synopsis
From the internationally bestselling author of Nefertiti and
Cleopatra’s Daughter comes the breathtaking story of Queen Lakshmi—India’s Joan
of Arc—who against all odds defied the mighty British invasion to defend her
beloved kingdom.
When the British Empire sets its sights on India in the
mid-nineteenth century, it expects a quick and easy conquest. India is
fractured and divided into kingdoms, each independent and wary of one another,
seemingly no match for the might of the English. But when they arrive in the
Kingdom of Jhansi, the British army is met with a surprising challenge.
Instead of surrendering, Queen Lakshmi raises two armies—one
male and one female—and rides into battle, determined to protect her country
and her people. Although her soldiers may not appear at first to be formidable
against superior British weaponry and training, Lakshmi refuses to back down
from the empire determined to take away the land she loves.
Told from the unexpected perspective of Sita—Queen Lakshmi’s
most favored companion and most trusted soldier in the all-female army—Rebel
Queen shines a light on a time and place rarely explored in historical fiction.
In the tradition of her bestselling novel, Nefertiti, and through her strong,
independent heroines fighting to make their way in a male dominated world,
Michelle Moran brings nineteenth-century India to rich, vibrant life.
REVIEW:
Michelle is a woman who loves history, but more than that –
She is a woman who loves the strong women who made a difference in
history. Over the years she has written
books on Nefertiti, The Heretic Queen (another Egyptian
queen), Cleopatra’s Daughter, The Second Empress (of
the Court of self-proclaimed emperor Napoleon Bonaparte), and Madame Tussaud (an extraordinary wax
sculpturor who lived in France just prior to and during the French Revolution). Only a woman who is sure of her own worth
could begin to address and take on the giants of history that she has and give
each of them the breath of life that comes flying of the page of each of her
novels with the searing heat of a woman’s passion.
I have long had a love affair with the stories of
India. They date back to Rikki Tikki Tavi and The Man Who Would be King by Rudyard
Kipling. Then later, I found and fell in
love with M M Kaye and The Far
Pavilions. The mystic and
romanticism that far-away place would take me to planes of wistful fantasy that
it seems I never recovered from, or could it have been the longing for the
young principal of the English High School of New Delhi that so wanted to whisk
me back to India oh so many years ago that is the cause that I have never quit
hearing India call my name in the wind?
The Rebel Queen,
like her other novels does not just tell a story, it immerses the reader into
history. From the first page, you are
drawn in to hear a story, and it is told just as a story would be told from one
person to another. A dearly loved and
very personal story that has great meaning.
The story teller was in fact a female guardsman of the Queen and the
entire story is told from her point-of-view.
As the story went along, I felt like I was sitting down over
a cup of English Tea and listening to her talk and tell her life’s story, just
like my great grandmother told me hers when I was young. When something would come along that is no
longer done or has changed radically, she would pause and explain why it was
the way it was and how it used to be.
All was told with loving kindness, like to a child, even though, in
reality, it was a letter to an editor for a book. The editor lived in England and still the
narrator took the time, as if she were present and she was talking to her
face-to-face.
I have read several books and novels about the Sepoy
uprising in India but this is the first time I feel that I truly have heard the
story from the viewpoint of the people of India. Always before, history has been written and
told by the victors, but this voice came from the survivor and the voice who
tried to bring reason. It is a new voice
and a beautiful voice that stays true to the attitude and lifestyle of the people
of the area. But at the same time, the
story demonstrated the ugly side of what anger and mob mentality can do. When men cease to think like men and begin to
act like mindless animals.
The facts of the story stay true to the history of the
events. It is the humanity of the story
and the humanity of the Queen that made this one of the most beautiful stories
of India and her people I that I have read.
It is exceptional for a rebel Queen’s memory to have come down and
consistently be remembered by her people for her leadership through a difficult
period and her kindness to the people she reigned over. What set the lady apart that her personal
guards stood fast when others turned and ran?
The Rebel Queen
is a story worth reading and re-reading, just for the joy of the story-telling
by Michelle Moran, as well as the beauty of the story itself. For those wanting just a taste of the venue for the story visit The Rebel Queen at her website.
I would give Rebel Queen FIVE STARS.
Thank you for putting such a huge dollop of love into this book,
Michelle. It shows.
A copy of Rebel Queen
was provided by Net Galley to read for this review.
ABOUT:
Michelle Moran is the international bestselling author of
six historical novels, including Madame Tussaud, which was optioned for a
mini-series in 2011. Her books have been translated into more than twenty
languages.
A native of southern California, Michelle attended Pomona College, then earned
a Masters Degree from the Claremont Graduate University. During her six years
as a public high school teacher, she used her summers to travel around the
world, and it was her experiences as a volunteer on archaeological digs that
inspired her to write historical fiction.
In 2012 Michelle was married in
India, inspiring her seventh book, Rebel Queen,
which is set in the East. Her hobbies include hiking, traveling, and
archaeology. She is also fascinated by archaeogenetics, particularly since her
children's heritages are so mixed. But above all these things, Michelle is
passionate about reading, and can often be found with her nose in a good book.
A frequent traveler, she currently resides with her husband, son, and daughter
in the US.
To learn more about Michelle and her books visit her at www.MichelleMoran.com
INTERVIEW:
Q: Rebel Queen is full of references to
canonical works of literature. Like Sita, are you most inspired by William
Shakespeare? Who would you name as your top five favorite authors?
A: Without a doubt I am inspired by Shakespeare, and he is
definitely among my top five favorite authors, along with Janet Fitch, J. R. R.
Tolkien, Douglas Preston, and Erik Larson. I was extremely fortunate to be able
to study Shakespeare with a brilliant professor, Martha Andresen, who is now
retired. She was phenomenal, and the way she brought Shakespeare’s plays to
life made you realize that Shakespeare truly wasn’t of an age but for all time
(as his contemporary, Ben Jonson, said). There’s a wonderful book by Harold
Bloom called Shakespeare: The Invention of the Human, and he sums
up better than I ever could what makes the Bard so unique among authors.
Perhaps this is why Shakespeare is read in every part of the globe, including
India.
Q: This novel, much like your international bestseller Nefertiti,
recounts a story based on the real life of long-dead queen from antiquity. What
draws you to characters like Rani Lakshmi and Nefertiti?
A: The characters from history who jump out at me are often women who managed
to carve powerful roles for themselves in societies where women weren’t
typically allowed positions of power or authority. They are also the ones who
have lived through some sort of revolution and managed to weather it.
Revolution is fascinating to me, whether it’s cultural, religious, or
political. In Rebel Queen, the people of India are growing tired of
England’s physical and political encroachment on their land. As they begin to
voice their displeasure, however, England responds by tightening its grip, and
once the people of India take up arms, England sees it as a revolution and acts
accordingly, sending in an army to suppress what they see as a “rebellion”.
Whenever a rebellion or revolution occurs in a society, new leaders emerge who
are often tremendously charismatic or in some other way very interesting. In
this case, one of those leaders was Rani Lakshmi.
Q: Why did you decide to tell this story from Sita’s
point of view? Is she your favorite character? If not, who is your favorite?
A: I was drawn to Sita because her position in society was so unique. Here was
a woman raised in purdah (where women are veiled and confined to their house)
who became a part of the queen’s Durga Dal, an elite fighting force made
entirely of women. What must that have been like? Women at that time were
raised to believe that their place in society was at home–that to step outside
the home was dangerous not only to their physical wellbeing, but to their moral
and spiritual wellbeing, too. How would a woman like that feel to suddenly shed
her veil and step outside? Would she adapt, or would she flee back to what was
familiar to her? I wanted to explore all of these emotions, and I couldn’t have
done that with any other character but Sita, who is definitely my favorite,
yes.
Q: Along similar lines, what was the research process like for Rebel
Queen?
A: With each of my novels, the research always begins in the country where the
novel takes place. In this case, it was India. Because I married an Indian man,
the research for this novel was considerably easier than it would have been
without someone to translate Hindi documents for me or take me on a tour of
various sites within India. As with each novel, the research involved a lot of
traveling and reading, which for me is one of the best parts about writing
historical fiction.
Q: Would you characterize this novel as pre-colonial?
What larger conversation about the nature of colonization do you hope to join?
Is it important to you to show alterative points of view regarding this topic?
A: Yes, I would definitely consider it a pre-colonial novel, since England
didn’t actually take over India until after Rani Lakshmi’s death. I think many
people, myself included, hear the word colonization and immediately think of
Africa. It wasn’t until I was married in India and began touring some of
India’s historic sites that I began to think about England’s presence there and
what life must have been like under British rule.
Q: The Boston Globe has said that your “artful storytelling
skills bring(s)...to vivid life...ancient history.” Do you feel called to
certain time periods or characters from history? How do you choose the setting
for your novels?
A: Actually, I don’t feel called to certain periods in history. But I do feel
called by certain stories, whether they’re set in Egypt, or Rome, or India. So
far in my career, each of the books I’ve written have been inspired by various
trips I’ve taken. In the case of Nefertiti, it was an
archaeological dig in Israel, followed by a trip to Egypt. In the case of Cleopatra’s
Daughter, it was a trip to Rome. And in the case of Rebel Queen,
it was my marriage and subsequent tour of India.
